We have seen
Greene, especially in The Third Man, embrace
the theme of paradoxical, dynamic, and “mixed-up” characters. In The Heart of the Matter, the same theme
arises in the case of Scobie, but it presents itself through his relationship
with Louise. In this early glimpse of the relationship, we start to wonder who
Scobie really is. What is his place in the relationship? What type of
relationship is it even? The questions seem hard to answer.
When Scobie finds
Louise sleeping on the bed with a stomachache, their “marriage” starts to
unravel and reveal startling details. While watching her sleep, Scobie realizes
that this is a time “of ugliness when he loved her” (96). Most husbands do not require ugly times to
love their wives. Nor would he want to disturb “his worst enemy from sleep,
leave alone Louise” (96). When a husband
puts his wife and his worst enemy in the same position, then something must be
wrong and crooked. Even so, Scobie demonstrates a remarkable (though
questionable) generosity and selflessness to “poor Louise” (93). He concerns
himself, to the point of paranoia, with her happiness. He needs her less and
thus becomes “more conscious” of “his
responsibility for her happiness” (96). Indeed, husbands (and wives) should be
keen on making their spouses happy. However, it should not become a chore or
responsibility that one must maintain awareness of. Spouses ought to make each
other happy primarily by their love for one another, rather than by self-sacrificial
efforts. Scobie cares for Louise’s happiness, but considers it a “responsibility”
(96). He even goes about this in an odd way. Scobie “never listen[s] while his
wife talk[s]” (100). He cares not for the substance of the conversation, but
rather for the “note of distress” and “silence”
in their “conversations” (100). Spouses (hopefully) find listening and talking
to each other significant. Scobie finds importance in the tranquil tone of his
wife’s voice, not in what she has to say. It is hard to determine whether or
not Scobie really is a husband to Louise, or even if his motives in their odd relationship
are healthy.
Scobie’s dynamic further
complicates the marital relationship. At times he wishes that he could sit
happily “in his own world” in the bathroom (113). He feels more comfortable
alone than he does with his wife. Although spouses can feel embarrassed at
times because of their significant others, they generally feel comfortable
around each other. Why else would they marry? Husbands and wives are friends as
well as lovers. It seems Scobie cannot be both, at the same time or at all. He
looks for friends she can be happy with, and neglects trying to “understand”
the “bare relations of intimate feeling,” which tilts his marriage on its head
(113). Scobie won’t listen to his own wife read poetry to Wilson because “a man
[can’t] listen to a woman [read] poetry in the presence of an outsider” (113). Although we only have a glimpse of their
relationship, the marriage does not appear to exist. Scobie acts only as lover
when things seem ugly. He cannot be a friend to his own wife. Do you see the
marriage differently? Can you foresee some evolution of their marriage, or do
you see only failure ahead?
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