Tuesday, January 8, 2013

The Lone Rider of Vienna...Or Not


Once again we see the theme of innocence and experience in The Third Man. However, Greene presents it in a strange and brilliant way. We are used to seeing a child display innocence while adults shatter their world with experience and reality. Yet, in parts VIII through X, we discover the great innocence Rollo Martins possesses in his view of Harry Lime. His admiration echoes Phile’s admiration for Baines in The Fallen Idol.  
Throughout the ten parts we have read, Martins acts almost like a character in one of his “cheap novelettes.” He is an English cowboy that will go to the ends of the earth to defend his friend, even by vigilante means. Greene illustrates the mixed identity theme through his polar nature, even distinguishing his attitude by either Martins’ first or last names. He has the “superiority of the amateur” that allows him to dig deeper than the professional detectives and find out the truth about Harry (336). Martins makes “an enormous impression” through his passion and bravado (348). He drinks a lot, he “fall[s] in love” with his best friend’s girl (340), and he has his fair share of one-liners worthy of Western heroes: “The dead are made to be forgotten (341); What was Shakespeare (347)?” People even mistake him for the police. It is hard to imagine Martins in any other way. However, the experience and daring he demonstrates hides the underlying innocence of his friendship with Lime.
One of the most unusual scenes occurs when Martins flees from the British police. He hides in a dark, unknown room. A “curious moaning sound” starts to bother him (350). Eventually he “[can] stand no more” of the grating sound, and he desperately tries to light the room with his lighter (350). This desperation suggests “fear,” more so of “the darkness” than of being found by the police (350). Fear of the darkness, as we saw with Francis in “The End of the Party,” is irrational to experienced adults, especially one so daring as Martins. Martins reactions to the sound and darkness even echo Francis’ childish and innocent panic. After finally sitting down with Calloway, reality and truth strike Martins where it hurts the most – his love for Harry Lime. He constantly expresses his love and respect for Harry; the phrase “Harry’s friend” is a title and a badge of honor for him (337). He likes Cooler because he is “ the only one of [Harry’s] friends who stood up for Harry” (341). When Calloway reveals the note to Martins, “a world for [him] certainly [comes] to an end”; it is the “world of easy friendship, hero-worship, confidence that had begun twenty years earlier – in a school corridor” and had stayed there (355). Martins still possesses that same innocent admiration for Lime. He cannot comprehend that his friend would ever be involved in a dirty, criminal racket. His innocent idolization would not allow for it. However, now that the truth has shattered his reality, how do you see the destruction of his innocence affecting his further investigation?


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